Histoire de l’art du Moyen Âge

L'étude de l'histoire de l'art du Moyen Âge englobe tous les genres artistiques des pays de l'Europe occidentale et centrale de la fin de l'Antiquité jusqu'à la fin du Moyen Âge dont les limites sont d'ailleurs difficiles à déterminer.

En outre les représentants de la branche souhaitent actualiser l'étude du Moyen Âge dans le sens de "l'histoire totale" en essayant de montrer que les structures sociales et mentales du Moyen Âge continuent de laisser une empreinte dans les activités artistiques des temps modernes.

Plus d'informations

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  • Equipe
    Thomas Kaffenberger

    Senior Researcher SNF

    MIS 02 – Bureau 2020
     E-Mail

    Réception: sur rendez-vous

    Profil personnel

    Lilian Daum

    Secrétaire

    MIS 05 – Bureau 5142
     E-Mail

    Johanna Steiner

    Secrétaire

    MIS 02 – Bureau 2020A
     E-Mail

  • Recherche
  • Publications

    Dernières publications

    2022

    •  ‘Un regard autre?’, in Jean-François Corpateaux (Hrsg.), Parerga. Pour Victor I. Stoichita, Genf 2022, S. 95-105.

    • Šćepanović, Vesna, Cult-phenomena in the Dalmatian ports in their Mediterranean context 1200–1500, Leiden, Brill 2022 [à paraître];

    • Grigoryan Savary, Gohar, Chapter 1: Royal Images and Coronation Celebration in the Sermons of Yovhannēs Pluz Erznkac‛i, in: Meanings and Functions of the Royal Portrait in the Mediterranean World (11th-15th cc.), hg. v. Michele Bacci und Manuela Studer-Karlen, Leiden 2022, S. 33-57.

      Grigoryan Savary, Gohar, A Jacobean Shell for “Šahuk, servant of God”, in: Armenia through the Lens of Time, hg. v. Federico Alpi, Robin Meyer, Irene Tinti und David Zakarian, Leiden 2022 (im Druck).

    2021

    • Bacci, Michele, Βένετο-Βυζαντινές Αλληλεπιδράσεις στη ζωγραφική εικόνων (1280-1450), Athen 2021;
    • Bacci, Michele, Giunta Pisano e la tecnica pittorica del Duecento, hrsg. Michele Bacci und Caterina Bay, Florenz 2021;
    • Bacci, Michele, Emérico Vicente Juhász, Pinturas y grafitos. Basílica de la Natividad en Belén, hrsg. Michele Bacci, Mailand 2021;
    • Bacci, Michele, Le vie del Mediterraneo. Icone tra Venezia e Bisanzio, Mailand, 2021;
    • Bacci, Michele, ‘Reliquiensammlungen in Jerusalem und Zypern (12.-14. Jahrhundert)’, in Manfred Luchterhandt and Hedwig Röckelein (Hrsg.), Palatium Sacrum. Sakralität am Hof des Mittelalters. Orte, Dinge, Rituale, Regensburg 2021, S. 279-299; 
    • Bacci, Michele, ‘Sacred Spaces versus Holy Sites: On the Limits and Advantages of a Hierotopic Approach’, in Jelena Bogdanović (Hrsg.), Icons of Space. Advances in Hierotopy, Abingdon and New York: Routledge, 2021, S. 15-29;
    • Bacci, Michele, ‘La cintura della Vergine nell’Oriente mediterraneo’, in Andrea De Marchi (Hrsg.), Cinturale: intersezioni e comparazioni a partire da Prato e dalla Cintola, Firenze: Sismel, 2021 (= Iconographica, Sonderveröffentlichung 2021), S. 25-37;
    • Bacci, Michele, ‘Marian Icon Worship as a Medium of Transcultural Exchange in 14th-Century Bohemia’, in Ivan Foletti, Ondřej Jakubec, Radka Nokkala Miltová (Hrsg.), Central Europe as a Meeting Point of Visual Cultures. Circulation of Persons, Artifacts, and Ideas, Rom 2021, S. 53-75;
    • Grigoryan Savary, Gohar, (Hg. und Mitverfasserin), Bibliography of Publications of the Mother See of Holy Etchmiadzin (1772-1920), Etchmiadzin 2021, 599 S. (auf Armenisch);

    • Grigoryan Savary, Gohar, Mariun: An Exiled Queen’s Pilgrimage and Death in Jerusalem, in: Al-Usur al-Wusta: The Journal of Middle East Medievalists 29 (2021), S. 217-255;

    • Grigoryan Savary, Gohar, Armenian Colophons on the Takeover of Sis (1375), in: Revue des Études Arméniennes 40 (2021), S. 85-99;

    • Grigoryan Savary, Gohar, Au sujet de l’authenticité des deux feuillets d’un manuscrit « cilicien », in: Revue des Études Arméniennes 40 (2021), S. 263-296;

    • Kaffenberger, Thomas, Un Jugement Dernier dans les marges? L’iconographie relationnelle des peintures murales de Sogn Luregn (Saint-Laurent) à Paspels, dans les Grisons“, in: Parerga. Études en hommage à Victor I. Stoichita, hg. Jean-François Corpataux, Genf - Paris 2021, S. 65–78:

    • Šćepanović, Vesna, Recension de livre : N. Balzamo, Les êtres artificiels. Essai sur le culte des mages en Occident, XIVe–XVIIe siècle, par Vesna Šćepanović dans : Freiburger Zeitschrift für Philosophie und Theologie 68 (2021), Vol 2, pp. 679–681;

    • Studer-Karlen, M., Chitishvili, N., Kaffenberger, Th. Georgia as a Bridge between Cultures. Dynamics of Artistic Exchange. Convivium supplementum, Brno 2021;
    • Studer-Karlen, M., Chitishvili, N., Kaffenberger, Th. (Hrsg.), “Georgia as a Bridge between Cultures. Dynamics of Artistic Exchange. Introduction”, in Georgia as a Bridge between Cultures. Dynamics of Artistic Exchange. Convivium supplementum , Brno 2021, S. 11-17;
    • Studer-Karlen, M., Chitishvili, N., Kaffenberger, Th. (Hrsg.), The Monastery of the Transfiguration in Zarzma. At the Intersection of Biblical Narration and Liturgical Reference, in Georgia as a Bridge between Cultures. Dynamics of Artistic Exchange. Convivium supplementum, Brno 2021, S. 138-67.

    2020

    • Bacci, Michele, ‘On the Prehistory of Cretan Icon Painting’, Frankokratia 1 (2020), pp. 108-164;
    • Bacci, Michele, ‘Greek Madonnas and Venetian Fashion’, Convivium 7 (2020), pp. 152-177;
    • Bacci, Michele, ‘Icone trecentesche della Schöne Madonna’, Arte Medievale, ser. IV, 10 (2020), pp. 247-260;
    • Bacci, Michele, ‘Images à la grecque et agentivité miraculeuse à l’époque moderne’, in Nicolas Balzamo and Estelle Leutrat (eds.), L’image miraculeuse dans le Christianisme occidental. Moyen Âge – Temps modernes, Rennes: Presses universitaires François Rabelais, 2020, pp. 131-148;
    • Bacci, Michele, ‘Local Cults and Their Integration into Bethlehem’s Sacred Landscape in the Late Medieval and Modern Periods’, in Mitri Raheb (ed.), A Sociocultural History, Bethlehem: Diyar Publishers, 2020, pp. 25-40;
    • Bacci, Michele, ‘Il Dittico a micromosaico del Museo dell’Opera come bene di lusso e oggetto di devozione’, in Rita Filardi (ed.), Il Dittico bizantino in micromosaico. Atti della giornata di studi (Firenze, Antica Canonica di San Giovanni, 23 novembre 2018), Florence: Mandragora, 2020, pp. 30-50;
    • Bacci, Michele, ‘Corpi iconizzati e immagini ‘corporizzate’’, in Anna Orriols, Jordi Cerdà, and Joan Duran-Porta (ed.), Imago & Mirabilia. Les formes del prodigi a la Mediterrània medieval, Barcelona: Universitat Autònoma/Bellaterra, 2020, pp. 113-124;
    • Grigoryan Savary, Gohar, Two Armenian Manuscripts in Switzerland (with an annotated translation of a newly-found abridgement of the Commentary of Canon Tables attributed to Step‛anos Siwnec‛i), Le Muséon 2020;
    • Grigoryan Savary, Gohar, Review essay of H. Z. Watenpaugh, The Missing Pages: The Modern Life of a Medieval Manuscript from Genocide to Justice, Stanford University Press 2019, Journal of the Society for Armenian Studies 2020;
    • Grigoryan Savary, Gohar, Medieval Context and Modern Realities of a Genocide-Survivor Artwork: Review essay of H. Z. Watenpaugh’s The Missing Pages, in: Journal of the Society for Armenian Studies 27/1 (2020), S. 117–130.
    • Kaffenberger, Thomas, Tradition and Identity: The Architecture of Greek Churches in Cyprus (14th to 16th Centuries) (Scrinium Friburgense 46), Wiesbaden 2020;
    • Vagnoni, Mirko, Two Armenian Manuscripts in Switzerland (with an annotated translation of a newly-found abridgement of the Commentary of Canon Tables attributed to Step‛anos Siwnec‛i), Le Muséon 2020 (à paraître);
    • Vagnoni, Mirko, Review essay of H. Z. Watenpaugh, The Missing Pages: The Modern Life of a Medieval Manuscript from Genocide to Justice, Stanford University Press 2019, Journal of the Society for Armenian Studies 2020.

     

    2019

    • Grigoryan Savary, Gohar, King Gagik Arcruni’s Portrait on the Church of Aght‛amar, dans : Le onzième centenaire d’Aght‛amar: politique, art et spiritualité au royaume du Vaspurakan, éd. par Z. Pogossian und E. Vardanyan, Leiden 2019;
    • Grigoryan Savary, Gohar, Chapter 15. King Gagik Arcruni’s Portrait on the Church of Ałt‛amar, in Z. Pogossian & E. Vardanyan (eds.), The Church of the Holy Cross of Ałt‛amar: Politics, Art, Spirituality in the Kingdom of Vaspurakan, Leiden: Brill, 2019, pp. 416-440;
    • Kaffenberger, Thomas, A rural church for an urban elite. Thoughts on the architectural concept and historical context of the unfinished church in Agios Sozomenos, Cyprus, dans : The Art and Archaeology of Lusignan and Venetian Cyprus, hg. Maria Parani und Michalis Olympios, Turnhout 2019, pp. 101–124;
    • Kaffenberger, Thomas, A rural church for an urban elite. Thoughts on the architectural concept and historical context of the unfinished church in Agios Sozomenos, Cyprus, dans : The Art and Archaeology of Lusignan and Venetian Cyprus, hg. Maria Parani und Michalis Olympios, Turnhout 2019, pp. 101–124;
    • Kaffenberger, Thomas, Portale als künstlerische Schaustücke und Orte sozialer Inszenierung. Die griechische Kathedrale der Panagia Hodegetria in Nicosia, Zypern, dans : Das Kirchenportal im Mittelalter, hg. v. Stephan Albrecht, Stefan Breitling und Rainer Drewello, Bamberg 2019, pp. 190–201;
    • Kaffenberger, Thomas, The so-called Unidentified Church No. 18. Observations on a minor urban church of the middle ages in Famagusta, Cyprus, dans : The Many Face(t)s of Cyprus (ed. Dorina Glörfeld, Kim Kittig, Bärbel Morstadt and Constance von Rüden), Bonn 2019, pp. 57–75;
    • Studer-Karlen, Manuela, Les Typologies mariales dans l’art paléologue, dans : Byzantina 36 (2019);
    • Studer-Karlen, Manuela, Rezension zu: N. Büchsenschütz, Iberische Halbinsel und Marokko. Repertorium der christlich-antiken Sarkophage Bd. 4, Wiesbaden, dans: GFA, 22 (2019), pp. 1073-1082;
    • Studer-Karlen, Manuela, Beobachtungen zu den Porträtdarstellungen auf frühchristlichen Sarkophagen, dans : Privatporträt. Die Darstellung realer Personen in der spätantiken und byzantinischen Kunst, ÖAW, Tsamakda, V., Zimmermann, N. (Hrsg.), Wien 2019, pp. 71-84;
    • Vagnoni, Mirko, Chapter 15. King Gagik Arcruni’s Portrait on the Church of Ałt‛amar, in Z. Pogossian & E. Vardanyan (eds.), The Church of the Holy Cross of Ałt‛amar: Politics, Art, Spirituality in the Kingdom of Vaspurakan, Leiden: Brill, 2019, pp. 416-440;
    • Vagnoni, Mirko, Epifanie del corpo in immagine dei re di Sicilia (1130–1266), Palermo, Palermo University Press [Artes], 2019, sous presse;
    • Vagnoni, Mirko, Sacralità regia e iconografia regia alla corte normanna di Sicilia, in Palatium Sacrum. Sakralität am Hof des Mittelalters: Orte – Dinge – Rituale, eds. M. Luchterhandt and H. Röckelein, Proceedings of the International Conference (Göttingen, 18–20 juin 2015), Regensburg, Schnell & Steiner, 2019, pp. 223–242, sous presse;
    • Vagnoni, Mirko,, Meanings and Functions of Norman Royal Portrait in the Religious and Liturgical Context: the Mosaic of the Cathedral of Monreale, “Iconographica. Studies in the History of Images”, 18 (2019), sous presse;
    • Vagnoni, Mirko, Royal Epiphanies. The King’s Body as Image and Its Mise-en-scène in the Kingdom of Sicily (1130-1266), in Souls of Stone. Funerary Sculpture: from Creation to Musealization, éd. par G. Rossi Vairo, Proceedings of the International Conference (Lisbon, 2–4 novembre 2017), Lisbon 2019, sous presse;
    • Vagnoni, Mirko, Guglielmo II e i suoi mosaici: tra intenti politici e sentimenti religiosi, in Giornate di Studi in occasione del 750° anniversario della Dedicazione della Basilica-Cattedrale di Monreale, Proceedings of the International Conference (Monreale, 14 avril 2018), Palermo 2019, sous presse;
    • Vagnoni, Mirko, Federico II e la messa in scena del corpo regio in immagine, in Federico II: culture, tradizioni, immagini, éd. par P. Colletta, Proceedings of the International Conference (Enna, 11–11 mai 2018), Palermo 2019, sous presse;

     

  • Conférences

    Conférence à venir

    • Šćepanović, Vesna, Daughters, Mothers, Wives, and Widows: Female Portraits in Medieval Georgia. Workshop: Artistic Networks in the Caucasian Space: New Researches and Perspectives, Université de Fribourg.10– 11. 05.2022;
    • Šćepanović, Vesna, The Cultic Physiognomy of San Zaccaria’s Monastery in Venice: Reassessing the Pilgrims’ Travelogues. 24th Congress of Byzantine Studies, Venise – Padoue (Ca’ Foscari Université de Venise – Université de Padoue), 22– 27.08.2022;
    • Šćepanović, Vesna, Cultural Heritage of Kosovo: State of the Art., Conference: The entangled arts of premodern Kosovo, Université de Fribourg,22– 23.11.2022;

    • Grigoryan Savary, Gohar, Cultural Heritage in a Conflict-Affected Region: The 13th-Century Monastery of Khoranashat in Danger, Tagung im Rahmen des SNF Projektes Cultural Interactions in the Medieval Subcaucasian Region, Universität Fribourg, 10-11.05.2022;

    • Grigoryan Savary, Gohar, Cilician Armenian Gospel Manuscripts with Royal Images: A Classification, international conference Illuminating the Eastern Christian World, Universität Hamburg, Deutschland, 30.06-01.07.2022.

    Conférences passées

    2021

    • Bacci, Michele, Trasmigrazioni di immagini tra Bisanzio, Venezia e l’Oriente cristiano (secoli XIV-XVI), in: L’eredità artistica di Bisanzio. Diramazioni, trasmigrazioni, sopravvivenze orientali, Napoli, Università L’Orientale (online), 9.04.2021;

    • Bacci, Michele, Closing remarks, in: The Science of Pilgrimage, Universität Bern (online), 17.-18.06.2021;

    • Bacci, Michele, Comparative Perspectives on Medieval Arts : Limits and Advantages, in: Paradigmen und Perspektiven einer Mediävistischen Komparatistik. Freiburger Kolloquium 2021, 8.-10.09.2021;

    • Bacci, Michele, De l’image littéraire aux images matérielles : cultes et transformations visuelles au fil des siècles, XIIe-XIVe s., in : Passio imaginis Salvatoris. Histoire et transmission, Paris, Auditorium de l’Hotel de Ville, 6.-8.10.2021;

    • Bacci, Michele, Messaggi per l’Onnipotente. Le colonne di Betlemme come supporti visivi della pietà individuale, in: Giornate di archeologia. Arte e storia del vicino e medio Oriente, Mailand, Museo dei Cappuccini, 21.10.2021;

    • Bacci, Michele, ‘Ceci n’est pas une corniche’. Architectural Frames in the Chora Church and in 14th Century Palaiologan Painting, in Re(dis)covering Chora: The Byzantine Name of the Rose, Athen, Kriegsmuseum, 25.-26.11.2021;

    • Bacci, Michele, Remarques conclusives, in Icônes : la fabrique matérielle du visuel, Paris, Petit Palais und Institut national d’histoire de l’art, 8-10.12.2021;

    • Grigoryan Savary, Gohar, Yovhannēs Pluz Erznkac‛i and the Aesthetics of Reception of Royal Images, XV General Conference of the AIEA (Association Intérnationale des Études Arméniennes), Martin Luther Universität Halle-Wittenberg, Deutschland, 2-4.09.2021;

    • Kaffenberger, Thomas, Place and space, memorial and liturgy. Subsidiary spaces and their embellishment in the medieval Caucasus [März 2021, Cultural Interactions in the Medieval Subcaucasian Region, Universität Brno]

    • Kaffenberger, Thomas, L'architecture religieuse Georgienne (Xe-XIIIe s.): pouvoir royal et renouveau artistique [März 2021, Laboratoire d’Archéologie Médiévale et Moderne en Méditerranée, Université d’Aix-en-Provence]

    • Vagnoni, Mirko, La messa in scena del corpo di Federico III d’Aragona re di Sicilia (1296-1337), at Le roi dans sa gloire imperiale (rituels, couronnements, représentations, légitimation et épiphanie), International Conference of the École française de Rome and Casa de Velázquez de Madrid, Versailles, October 15-17, 2020, postponed to Nantes, June 21-27, 2021;

    2020

    • Grigoryan Savary, Gohar, Studer-Karlen, Manuela, Workshop and international conference Staging the Ruler’s Body in Medieval Cultures: A Comparative Perspective, Universität Freiburg, 23–24.11.2020
    • Vagnoni, Mirko, Shaping the Face of Power: the Portraits of King Robert of Anjou (1309-1343), at Staging the Ruler’s Body in Medieval Cultures: A Comparative Perspective, International Conference of the Université de Fribourg (Fribourg, November 23-24, 2020).
    • Studer-Karlen, Manuela, Kaffenberger, Thomas, Bacci, Michele, Doctoral workshop, Dynamics of Artistic Interaction in the Swiss Space – Middle Ages and Early Modern Period, Musée d'art et d'histoire Fribourg, 29.09.2020;
    • Kaffenberger, Thomas, 'Accessing the Sacred': Liminal Spaces of Devotion in Georgian Church Architecture, 5th-11th Centuries, IMC Leeds. 7.2020;
    • Grigoryan Savary, Eastern Christian Perceptions of the Mongols according to visual and textual sources, Univesität zu Köln, Ringvorlesung Byzanz Global, 25.06.2020 (postponed due to Covid).
    • Bacci, Michele, A New Terrasanta : The Shaping of New Holy Sites along the Sea Routes to Jerusalem in the Late Middle Ages, University of Cambridge, 3. Februar 2020

    • Bacci, Michele, Icons in Western Europe, Princeton Athens Center, Athen, 24. Januar 2020;

    • Bacci, Michele, Οἱ εἰκόνες τῆς Παναγίας ἀποδιδόμενες στὸν Εὐαγγελιστὴ Λουκᾶ καὶ ἡ λατρεῖα τους στὴν Κύπρο, Vortrag im 5. internationalen Kongress der zyprischen Agiologie,  Paralimni (Zypern), Hl. Metropolis von Konstantia und Ammochostos, 12.-16. Februar 2020;

    • Bacci, Michele, Le pèlerinage à Jérusalem et l’art des Lieux saint au Moyen Âge, Fribourg, Musée Bible+Orient, 26. Februar 2020;

    • Bacci, Michele ,L’arte nel regno cipriota dei Lusignano, Vortrag am Festival del Medioevo, Gubbio, 27. September 2020;