Cyril Cordoba
Dr
Assistant·e-docteur·e
Département d'histoire contemporaine
Av. de l'Europe 20
1700 Fribourg
Biographie
Site personnel (à jour): cyrilcordoba.com
Thèse d'habilitation:
"Désaccords à Locarno. Une histoire politique du Festival international du film (1946-1987)"
Projet Agora:
"Challenging the Narratives about the Locarno Film Festival"
Doctorat en Histoire contemporaine à l’Université de Fribourg
Thèse: "Au-delà du Rideau de Bambou
Relations culturelles et amitiés politiques sino-suisses (1949-1989)"
Master of Arts en lettres à l’Université de Fribourg
Histoire contemporaine
Mémoire de Master :
"La critique cinématographique française à l’épreuve de la politisation soixante-huitarde".
Bachelor of Arts en lettres et sciences humaines à l’Université de Neuchâtel
Histoire - Français - Sciences de l’information et de la communication
Recherche et publications
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Projets de recherche
piazza nostra: Reframing an International Film Festival Inside Out
Statut: En coursDébut 01.02.2026 Fin 31.08.2026 Financement FNS Voir la fiche du projet In August 2026, the Locarno Film Festival (LFF)?–?one of the oldest film festivals in the world?–?will turn 80. Its contribution to the history of cinema is well documented, and numerous studies have examined its cultural and economic impact. Yet, almost nothing is known about the hundreds of people who have made the festival possible over the decades. Today, the LFF’s employs more than 700 staff members and attracts over 150’000 spectators each year. Just like hotel and restaurant owners, public service staff and festivalgoers, each participant experiences the event differently. However, these perspectives are rarely, if ever, acknowledged in historical accounts. This project seeks to offer new ways of understanding the festival by highlighting these overlooked voices and experiences. Building on a previous project titled Challenging the Narratives About the Locarno Film Festival, which concludes in December 2025, the applicants have gathered a wealth of audiovisual and iconographic material that sheds light on underrepresented, minorized, or silenced perspectives in the festival’s history. Beyond personal anecdotes, locals recounted the development of an alternative scene (on the fringes of the official celebrations), technicians described their seasonal work (completely invisible to festivalgoers), and secretaries revealed the secrets of a 360-degree organisation (which requires both technical and social skills). Beyond its cultural dimension, our approach is rooted in social history. It aims to shed light on people who usually remain in the shadows and to reframe our perspective, moving away from glitz and glamour to focus on everything that does not necessarily shine. The present proposal aims to embed the findings of Agora I into collective memory by disseminating them through an audiovisual exhibition developed in a co-creation process. It also seeks to integrate these results into the festival’s official commemorations, to help the public understand that great history is not written solely with "great men". Developing new narratives ahead of 2027, when the LFF celebrates its 80th edition, is therefore crucial . In collaboration with the City of Locarno and the Festival itself, the applicants will create an interactive exhibition at Locarno’s historical museum (Museo Casorella). It will draw on the material collected during Agora I as well as the co-applicant’s research. The project combines the scientific expertise of Cyril Cordoba with the experience of Joséphine Métraux in participatory public history projects. Through piazza nostra, the applicants aim to make an innovative contribution to the cultural and social history of Locarno. With its bottom-up approach, the project is pioneering: no comparable initiative currently exists in the field of festival studies. In short, this new Agora project is essential for four reasons. First, it will ensure that the material collected in Agora I is communicated, developed, and anchored sustainably. Second, its participatory strategy will give witnesses interpretative authority. Third, it will establish piazza nostra as a pioneering public history project. And fourth, the project team will maintain full independence from the narratives developed by the LFF itself. From "Crypto-Communism" to "Pornography" : Challenging the Narratives about the Locarno Film Festival
Statut: TerminéDébut 01.06.2024 Fin 31.12.2025 Financement FNS Voir la fiche du projet In 2023, more than 500’000 people attended Swiss film festivals. Among those, the Locarno Film Festival (LFF), one of the oldest in the world, attracted 145’000 spectators by itself. In August 2026, this major event of Switzerland’s film culture will be 80 years old. On this occasion, many publications will retrace its long history. Commemorative books, special issues, and television programs are likely to portray it as a pioneering event that became part of the country’s cultural heritage by introducing auteur cinema to Swiss audiences ; "a calm, quiet, gentle, and relaxed festival, without scandals". However, a much less consensual past made of controversies lies behind this narrative. When trying to push boundaries, the LFF encountered many difficulties caused by Switzerland’s conservatism and political divisions. This remains largely unknown today, which is why this project will challenge the traditional portrayal of the event by engaging with the public on two levels: during screenings-debates of a documentary and through the online collection of testimonies. The first part of this project will be a medium-length film about the scandals caused by the LFF, accused of showing communist propaganda and pornography when it included in its program Eastern European movies (1950s), "Third World films" (1960s), and subversive features (1970s). The documentary will be directed by the creator of the YouTube channel Cinéma et politique. The second part of this project will be a collaborative experience challenging the usual narrative about the Festival’s history: a call for the participation of the people who "made" the Festival but have so far remained unheard (attendees, volunteers, and staff). People will be invited to share testimonies, thoughts, and documents about their own experience of the LFF from the 1980s onward to build a "bottom-up" narrative.
